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But despite their evident eroticism, these paintings were often based on descriptions of classical nudes, allowing their owners to claim their interest was intellectual rather than sexual. Drawing on humanist culture and readily available examples of classical statuary, artists began to produce idealised images modelled on the antique. The same cannot be said for the early 15th-Century illuminated Books of Hours, created for the Duke of Berry by the Limbourg brothers. More like this: - A Victorian painter of gender fluidity - How black women were whitewashed by art - Eight odd details hidden in masterpieces. View image of Credit: The J. Cath Pound looks at shifting attitudes and what they reveal about society and sexuality. But his attempts to reinvigorate Christian art by embracing ancient pagan models in his depictions of Biblical figures for the Sistine Chapel, particularly in The Last Judgement , proved too much for the Church.

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As a result, artists strove to make images more truthful, with the figure of Christ, the Saints and other religious figures gradually becoming more tangible.

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Their development of the rich, lustrous oil painting technique would allow for a far greater level of naturalism. Having purely classical nudes was one thing but the influence of the antique in Catholic religious art was becoming increasingly contentious. Italy, too, was increasingly adapting classical themes spurred by the expanding interest in humanist literature and poetry.

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